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The painting of Bloomsbury is unthreatening, domestic and full of sensuous beauty.
French Post-Impressionism touched both their easel painting and decorative art, while the influence of Mediterranean culture is apparent in the uninhibited colours and patterns of walls, ceramics and furniture decorations.
Despite its discomforts – there was no hot water, and the house was icy – guests swelled the household. Here Julian and Quentin, Vanessa and Clive Bell’s unruly young sons, grew up in an atmosphere of freedom, roaming the downs, sailing flotillas of toy boats on the cattle pond and digging for clay in the mud of its banks.